| I. |
AN INTRODUCTION TO WISDOM
AND POETIC LITERATURE |
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A. |
The Place of Wisdom
Literature in the Bible |
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1. |
Hebrew Wisdom Literature
was part of a larger corpus of material with Egyptian,
Mesopotamian, and Canaanite-Phoenician influences |
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2. |
The Bible contains
several different types of literature: |
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a. |
Narrative (Genesis, 1 and
2 Samuel, Ruth, Jonah, Nehemiah, etc.) |
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b. |
Legal (Deuteronomy,
Leviticus, etc.) |
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c. |
Historical (1 and 2
Chronicles, etc.) |
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d. |
Poetic (Psalms; Song of
Songs etc.) |
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e. |
Prophetic (Isaiah,
Jeremiah etc.) |
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f. |
Gospel (Matthew, Mark,
Luke, John) |
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g. |
Epistles (Romans, 1 and 2
Corinthians, Galatians, 1 and 2 Peter, etc.) |
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h. |
Apocalyptic (Daniel,
Zechariah, Revelation) |
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3. |
The different kinds of
literature serve different didactic functions: |
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a. |
The effects of the fall
of mankind were pervasive: |
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1) |
The fall effected Mankind’s
supernatural relationships (Gen. 3:8,14-15,19) |
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a) |
The fall effected conflict with God (Gen. 3:8) |
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b) |
The fall effected conflict with the enemy (Gen.
3:14-15,19) |
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2) |
The Fall effected mankind’s natural
relationships (Gen. 3:16-19) |
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a) |
The fall effected conflict with children 3:16a |
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b) |
The fall effected conflict between men and women
3:16b |
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c) |
The fall effected conflict in work (Gen. 3:17-19) |
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b. |
The Scriptures are
designed to address Mankind’s need of salvation in all realms of
his life (with God, with one another, and with the tasks of
life) |
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1) |
Legal Literature is a declaration of
god’s will designed to mold the moral, spiritual, and ethical
direction of the nation |
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2) |
Historical Literature is a revelation
(record) of the sovereign work of God in History |
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3) |
Prophetic Literature is a declaration
of the will of God in History in judgment of the nation’s
historical dealings and in promise of God’s future blessings |
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4) |
Wisdom/Poetic Literature is practical
direction for obtaining substantial wholeness out of the
brokenness of natural life: |
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a) |
Job addresses Mankind’s wrestling with affliction
which defies human explanation |
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b) |
Psalms are an expression of Mankind’s heart
toward God in the varied nature of life: fears, doubts,
tragedies, triumphs, joys, hopes. |
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c) |
Song of Solomon is the outworking of love in
marriage |
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d) |
Ecclesiastes affirms that meaning for life is not
in life, but in the One who gives life |
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e) |
Proverbs provides skill at living life from the
parameters of the Law and natural order |
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4. |
Biblical literature is designed to
appeal to the whole person: his mind and his heart! |
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B. |
The Design of Wisdom Literature |
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1. |
Wisdom literature is concerned with
the application of truth (from creation and the Law) to daily
life and choices |
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2. |
The application of truth was to give
one skill at life
or even good common sense
(Job 32:7; Prov. 1:7) |
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3. |
Wisdom literature applies truth
through generalizations: |
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a. |
The author makes
applicational generalizations in a specific area |
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b. |
The author’s
generalizations are rarely intended to have an unlimited scope |
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c. |
The task in interpreting
wisdom literature is to recognize the specific scope of the
author and thus applying the truth in that specific scope |
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d. |
The generalizations are
stated in the form of maxims |
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1) |
Maxims are statements of truth which
are always true, but whose scope is not intended to be an
exhaustive or comprehensive statement of truth concerning a
subject |
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2) |
Maxims state a truth from one
perspective without intending to say all that there is to say
about that subject |
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4. |
Examples of the application of truths
through generalizations: |
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a. |
Proverbs consists of
pithy maxims to be applied properly to life.
The limits of the author’s scope of application can be discerned
through collecting many proverbs on a given subject |
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b. |
Job is the application of
maxims concerning the nature of evil and punitive suffering. The
value of maxims is critiqued as a final guide in suffering. God
becomes the only source of meaning in suffering as he brings
good for his own out of evil for his own good purposes |
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c. |
Ecclesiastes is the
search for the ultimate maxim to explain the nature of life.
However, life is not found in the storehouse of wisdom, but is a
gift from God given to be used in a responsible, yet rewarding
fashion |
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d. |
Song of Songs is more
poetic literature rather than wisdom in that it celebrates the
greatest gift of human life-love! Nevertheless, love is
presented in a full expression as that which unifies two into
one with purity and honor for each person |
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e. |
Psalms are also closer to
poetry than to wisdom literature. Nevertheless, they express the
one sided expression of the heart of man towards God
as he expresses fear, sorrow, despair, hope, praise, and skill
at life (wisdom psalms, 1, 27, 32, 34, 37, 49, 73, 112, 127-128,
133) |
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C. |
The Literary
Character of Hebrew Poetry/Wisdom |
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1. |
Rhythm of Thought. The genius of
Hebrew poetry is in the realm of thought rhyme” and the key to
thought rhyme is in the technique of parallelism (the
correspondence of one thought with another) |
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a. |
Synonymous parallelism
exactly balances the thoughts or meanings in two lines of poetry
by saying the same thing twice in nearly the same way (Ps. 3:1;
7:16; 2:4) |
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b. |
Synthetic and Climatic
parallelism further takes up and develops a through begun in the
first line by adding a little more to enrich one’s thinking (Ps.
95:3; 1:1). Occasionally they expansion is expressed in a tiered
structure in which each line repeats the first with the
exception of the last term/phrase where a new one is added (Ps.
29:1) |
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c. |
Emblematic parallelism
uses images to convey the poetic meaning. While one line conveys
the main point in a direct fashion, the second line illuminates
it by an image. There is a movement from point to picture (Ps.
23:1,2,4; 103:13; 113:5,6; 57:1) |
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d. |
Antithetical parallelism
balances the thoughts or ideas within the line pairs by stating
truth in the first line in an opposing or negative way by
introducing a contrast (Ps. 1:6; 57:6) |
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e. |
Chiastic or Inverted
parallelism contraposes or alternates the words or phrases in
consecutive lines (Ps. 51:3; Isa. 11:13) |
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2. |
Rhythm of Sound (in
Hebrew) |
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a. |
Acrostic Poems are
written so that the initial letters of consecutive lines form an
alphabet, word, or phrase (Ps. 9; 10; 25; 34; 37; 11; 112; 119;
145; Prov. 31:10-31; Lam. 1; 2; 3; 4; Nahum 1:2-20). This was a
mnemonic tool (memory device) conveying ideas of order,
progression, and completeness. |
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b. |
Alliteration is the
consonance of sounds at the beginning of words or syllables (Ps.
122:6) |
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c. |
Assonance is
correspondence of vowels sounds, often at the end of words in
order to emphasize an idea, theme, or tone (Ps. 119:29) |
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d. |
Paronomasia is a word
play through the repetition of words of similar sound, but not
necessarily meaning in order to heighten the impact of the
message (Gen. 32:22-24) |
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e. |
Onomatopoeia is the use
of words that sound like what they describe (Ruth 1:19) |
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f. |
Ellipsis is the omission
of a word or words that would complete a given parallel
construction (Ps. 115:4-7) |
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g. |
Inclusio is the
repetition of words or phrases by which the poet returns to the
point from which he began (Ps. 118:1,29) |
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3. |
Wisdom Speech Forms |
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a. |
The Parable is a “warning
speech” (Prov. 6:20-35; 2 Sam. 12:1-4) |
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b. |
The Precept is an
authoritative instruction or regulation for behavior connecting
wisdom with the moral codes of the Law (Prov. 3:27) |
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c. |
The Riddle is a puzzling
question stated as a problem calling for mental acumen to solve
it (Judg. 14:14) |
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d. |
The Fable is a brief tale
embracing a moral truth using people, animals, or inanimate
objects as characters (Judg. 9:7-20) |
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e. |
The Wise Saying is a
generalization about the way of wisdom based on the insight of
experience or a folk expression of plain common sense (Prov.
18:18) |
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f. |
The Numerical Proverb
culminates numerical progression (Prov. 6:16-19; 30:18-31) |
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g. |
Rhetorical Questions (Prov.
5:16; 8:1), Allegory Through Personification (Prov. 8-9; Eccl.
12:1-8), Satire and Irony (Prov. 11:22; Eccl. 5:13-17) |
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D. |
The Canonical Order of
the Wisdom and Poetic Books |
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1. |
The Hebrew Scriptures
were probably originally canonized into a two-fold division: the
Law and the Prophets |
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2. |
By around the second
century B.C.
a three-fold division of the Hebrew Scriptures arose: The Law,
The Prophets, and The Writings |
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a. |
The three-fold division
included the same books as the two-fold division |
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b. |
There are several
possible reasons for a three-fold division: |
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1) |
A distinction was made between books
which were written by men who held the prophetic office, and men
who only had the prophetic gift |
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2) |
Some at a later date may have felt
that those books which were not written by “prophets” were not
fully canonical |
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3) |
A more practical purpose was served
by the topical and festal
significance rather than by the two-fold categories |
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3. |
Within the category of
the Sacred Writings, the books of Psalms, Proverbs and Job were
regarded by the Jews as specifically poetical in nature, and
were described by the mnemonic title “The Book of Truth” |
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4. |
The Greek translation of
the Hebrew Scriptures (The Septuagint or LXX c. 280-150 B.C.)
divided the Old Testament according to subject matter which is
the basis of the modern four-fold classification of the: five
books of Law, twelve books of History, five books of Poetry, and
seventeen books of Prophecy |
| II. |
AN INTRODUCTION TO THE
BOOK OF PSALMS |
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A. |
The Canonical Order of
the Book of Psalms |
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1. |
The Book of Psalms is
subdivided into five smaller books: |
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a. |
Book I: 1-41 |
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b. |
Book II: 42-72 |
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c. |
Book III: 73-89 |
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d. |
Book IV: 90-106 |
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e. |
Book V: 107-150 |
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2. |
The Psalms may well be
editorially
grouped in accordance with the history of the nation Israel
around the Davidic Covenant: |
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a. |
INTRODUCTION: The
righteous one
1-2 |
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b. |
BOOK I: David’s conflict
with Saul
3-41 |
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c. |
BOOK II: David’s kingship
42-72 |
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d. |
BOOK III: The Assyrian
crisis
73-89 |
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e. |
BOOK IV: Introspection
about the destruction of the temple and the Exile
90-106 |
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f. |
BOOK V: Praise and
Reflection on the Return and the new era
107-145 |
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g. |
CONCLUSION: climatic
praise to God
146-150 |
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B. |
The Theological Principle
of Psalms: The Lord, who sovereignly rules the universe, will
establish His just rule on the earth in and through his people
whereupon the righteous will prosper and the wicked will suffer |
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1. |
Since the OT saint did
not have a concrete sense of a “final” judgment in eternity,
they often worked out this theology through the events of their
earthly world |
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2. |
At times it was difficult
to resolve issues of God’s rule since the wicked seemed to
prosper (Ps. 73). |
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3. |
Nevertheless, the wise
person would be upright before God awaiting his blessing |
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4. |
Also imprecations were
pronounced upon those who continued in rebellion against God’s
theocracy
with a desire that He might deal with them in this life (Pss.
10:15; 28:4; 58:6; 69:22-28; 109; 137:9; 139:19-21 et cetera). |
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5. |
Often YHWH is described
in polemical terms so as to express his sovereign rule over all
of Israel’s neighbor’s gods: |
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a. |
It is YHWH who “rides on
the clouds” rather then the Canaanite Baal (Ps. 68:4) |
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b. |
It is YHWH who brings
about a storm in Canaanite territory rather than the storm god
Baal (Ps. 29) |
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c. |
This was not myth as in
their neighboring religions, but a departure from myth through
YHWH |
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C. |
The Forms
of the Psalms |
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1. |
Individual Laments-a
prayer for help out of distress (Pss. 51; 57; etc.) |
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a. |
Introductory Cry to God |
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1) |
Address |
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2) |
Cry for Help |
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b. |
Lament |
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1) |
Foes |
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2) |
I |
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3) |
Thou |
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c. |
Confession of Trust |
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d. |
Petition |
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1) |
Hear! |
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2) |
Save! |
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3) |
Punish! |
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4) |
Because… |
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e. |
Conclusion: |
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1) |
Vow of Praise or Expression of Praise |
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2) |
Assurance, Trust/Praise “heard” |
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2. |
National Laments-usually shorter than
the individual laments; the nation faced some difficulty so they
approached God together with their lament (Ps. 44; 58; 60 etc.) |
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a. |
Introductory Cry to God |
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1) |
Address |
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2) |
Cry for Help |
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3) |
Report of “former saving deeds” |
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b. |
Lament |
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1) |
Foes |
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2) |
Me |
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3) |
Thou |
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c. |
Confession of Trust |
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d. |
Petition |
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1) |
Hear! |
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2) |
Save! |
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3) |
Punish! |
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4) |
Because… |
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e. |
Vow of Praise |
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3. |
Declaritive Praise (Thanksgiving)
Psalms of the Individual-praise or thanksgiving is giving to God
because of some kind of personal deliverance (Pss. 30; 32; 121;
etc.; cf. also I Sam. 2:1-10; Jonah 2:1-9) |
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a. |
Proclamation of Intention to Praise
God |
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b. |
Introductory Summary of Praise |
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c. |
Reflection on Past Distress (=
Lament) |
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1) |
Foes |
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2) |
I |
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3) |
Thou |
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d. |
Report of Deliverance |
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1) |
I cried |
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2) |
He heard |
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3) |
He delivered |
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e. |
Renewed Vow of Praise |
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f. |
Conclusion |
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1) |
Praise (descriptive) |
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2) |
Instruction (etc.) |
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4. |
Descriptive Praise Psalms of the
People (Hymns)-direct praise of God for his works among men (Pss.
24; 100; 113; etc.) |
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a. |
Call to Praise |
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b. |
Cause for Praise |
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1) |
Summary |
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2) |
Reason for praise |
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a) |
The greatness of God |
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b) |
The grace of God |
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c) |
Specific Illustrations |
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c. |
Call to Praise |
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D. |
Psalms Distinctive in Thought: |
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1. |
Wisdom Psalms (Pss. 1; 37; 112; 127;
etc.) |
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a. |
These are related in their motifs
with wisdom literature in the Hebrew Scriptures (e.g., Proverbs) |
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b. |
The emphasize the theme of “Two
Roads” through numerous sayings: |
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1) |
“Better” sayings (Ps. 119:72) |
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2) |
Numerical sayings (Ps. 62:11-12a) |
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3) |
Admonitions to “sons” (Ps. 34:11) |
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4) |
Blessing formulas (Ps. 1:1) |
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5) |
Emphasis upon the Law (Ps. 119) |
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c. |
They are also identified with “Torah Psalms”
expounding the wisdom of following the Law. |
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2. |
Pilgrim Psalms (Pss. 120-134) |
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a. |
These all have the heading, “A song
of ascents” which probably refer to Israel’s “going up” to
Jerusalem for the three festivals (cf. 1 Sam. 1:3; Ps.122:4; Isa.
30:29; also Ex. 23:14-19; Lev. 23:4-44; Ps. 42:4
[Spring-Passover & Unleavened Bread, Summer-Weeks or Pentecost,
Fall-Atonement & Tabernacles] |
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b. |
Hill and Walton suggest that the
canonical placement of these Psalms is to emphasize the return
to Jerusalem after decades of exile |
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3. |
Royal Psalms (Pss.2; 18; 21; 45; 72;
89; 101; 110; 132; 144) |
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a. |
These emphasize the anointed King
after the line of David (Ps. 89; 132; cf. 2 Sam. 7) |
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b. |
Historically the texts refer to some
high point in the monarch such as his coronation (Ps. 2), his
wedding (Ps. 45) or his going into battle (Pss. 20; 144); his
anticipated coming in conquest (110), and his glorious reign
(Ps. 72) |
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c. |
Many of these Psalms speak through
David (the ideal king, cf, 2 Ki. 25:27-30) of the coming Messiah
in a typically Messianic
or typico-prophetic Messianic
manner. |
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4. |
Enthronement Psalms |
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a. |
These are songs of God’s Kingship
characterized by the expression “The Lord Reigns” (Pss. 93;
96-97; 99), the Lord is “the great King” (Pss. 47; 95), or the
Lord “comes to judge” (Ps. 98) |
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b. |
While these Psalms may have expressed
aspects of God’s reign at different times, they have their
fullest sense in the coming Messianic kingdom (cf. Isa. 52:7) |
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E. |
Headings of the Psalms: |
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1. |
The Ascription of the Psalms as to
Author |
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a. |
Their historical accuracy. The
current, popular, negative opinion concerning the historical
reliability of the notations in the headings regarding
authorship is reflected in the following comment by Barth:
“Unfortunately, in the form in which the psalms have been handed
down to us, they give no clue to the identity of their authors”
More positively the following argument can be advanced in
defense of the accuracy of these notations |
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1) |
The abundant evidence elsewhere in
Scripture that David was a writer of sacred poetry |
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2) |
The abundant internal evidence that
Moses composed Psalm 90 |
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3) |
The well-established point of Hebrew
grammar that lamed ( l) can indicate authorship |
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4) |
The denial of the historical
reliability of these notices is closely connected with the
older, critical theory that most of the psalms were composed in
the Maccabean period. New evidence, particularly from Ras Shamra
has conclusively demonstrated the early date of many of these
same psalms |
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5) |
Undoubtedly they were considered as
part of the Scriptures by Christ and His apostles |
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b. |
Classification of the psalms
according to authorship: |
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1) |
Moses: Ps. 90 |
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2) |
David: seventy-three psalms mostly in
Books I and II |
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3) |
Asaph: Pss. 50, 73-83 |
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4) |
Heman, the Ezrahite: Ps. 88 |
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5) |
Ethan, the Ezrahite: Ps. 89 |
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6) |
Solomon: Ps. 72,127 |
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2. |
Technical names to designate the
types of psalms |
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a. |
“Psalm” (Heb. mizmor): “a song
accompanied by the plucking of the strings of an instrument.”
Fifty-seven of the psalms are so labeled |
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b. |
“Song” (Heb. shir): “a song.” Twelve
of the psalms are so labeled. |
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c. |
Maskil: “A contemplative poem.”
Thirteen of the psalms are so labeled. |
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|
|
d. |
Miktam: root meaning is disputed.
Later Hebrew (LXX and Modern Hebrew understand the word to mean
“inscription poem,” or “epigram,” “a poem containing pithy
sayings, etc.” Term is found in six superscriptions |
| |
|
|
e. |
“Prayers” (Heb. tepillah): “Prayer.”
Found in five psalms titles and Hab. 3. |
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|
|
f. |
“Praise” (Heb. Tehillah): “Praise”
found in Ps. 145. |
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|
3. |
Musical Terms |
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|
|
a. |
“To the chief musician” (Heb.
lam-menasseah): Disputed term. Most construe the term to mean
“To the choir leader.” Found in 50 psalms. |
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|
|
b. |
“Sons of Korah” (Pss. 42, 44-49, 84,
87-88): Disputed whether the term refers to authorship or to
musical rendition. The evidence-would involve dual authorship in
Ps. 88, the use of the plural, the LXX confusion-suggests that
the sons of Korah were the musical performers of these ten
psalms |
| |
|
|
c. |
“Jeduthun” (Pss. 39,62,77). Disputed
term. Perhaps it refers to a guild of musicians who rendered the
psalms |
| |
|
|
d. |
“Neginoth” (Pss. 4,6,54,55,67,76,61
[singular]): “with stringed instruments.” |
| |
|
|
e. |
“Alamoth” (Ps. 46): “Upon lyres tuned
to the voice of maidens.” |
| |
|
|
f. |
“Sheminith” (Pss. 6,12). “with an
eight stringed lute.” |
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|
|
g. |
“Nehilloth” (Ps. 5): Obscure term
(“wind instrument”?) |
| |
|
|
h. |
“Gittith” (Pss. 8,81,84): Disputed
term (“wine song”? or “instrument from Gath”?) |
| |
|
|
i. |
“Selah” (not in superscriptions).
“Lift up”? Probably denotes places in the psalm where the
worshipers were to lift up their voices |
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|
4. |
Melody Indicators: |
| |
|
|
a. |
“Shushan, `el shoshannim” (Pss.
45,60,69,89). “To the lily (lilies).” |
| |
|
|
b. |
“Mahalath” (Pss. 53,88). Very
obscure. May also be a liturgical term. |
| |
|
|
c. |
“cal ayyelth hash-shahar” (Ps. 22):
“to the hind of the morning” |
| |
|
|
d. |
“cal yonath /elem rehoqim (Ps. 56):
“According to a silent dove of the distances”? |
| |
|
|
e. |
“cal tashheth (Pss. 57,58,59,75): “Do
not Destroy.” |
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|
|
f. |
“cal mut labben (Ps. 9): disputed. |
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|
5. |
|
Liturgical Indicators: |
| |
|
|
a. |
“Sabbath” (Ps. 92): Psalm to be used
on the Sabbath day |
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|
|
b. |
“Thanksgiving” (Heb. todah) (Ps.
100): Psalm to be used at the time of the offering up of the
acknowledgment offering |
| |
|
|
c. |
“To bring to remembrance” (Heb.
“Lehazkir) (Pss. 38,70): A psalm intended to bring the lamenter
to Yahweh’s remembrance |
| |
|
|
d. |
“Prayer of the afflicted when he
pines away and pours forth his complaint before Yahweh” (Ps.
102) |
| |
|
|
e. |
A song of degrees” (Heb. shir ham-ma
aloth) (Pss. 120-34): Disputed term. Lit. “a song of ascending.”
Many today prefer to understand the term as “a song for the
pilgrimages.” |
| |
|
|
f. |
“For the dedication of the house”
(Ps. 30): |
| |
|
|
g. |
Shiggaion (Ps. 7). Obscure |
| |
|
6. |
Historical notices in the life of
David (Pss. 3, 7, 18, 34, 51, 52, 54, 56, 57, 59, 60, 63, 142) |
| |
F. |
Purposes of the Book of Psalms: John
Calvin describes the Psalter as, “‘An Anatomy of all the Parts
of the Soul;’ for there is not an emotion of which any one can
be conscious that is not here represented as in a mirror. Or
rather, the Holy Spirit has here drawn to the life all the
griefs, sorrows, fears, doubts, hopes, cares, perplexities, in
short, all the distracting emotions with which the minds of men
are wont to be agitated.”
Another writes, “Like the windows and carvings of medieval
cathedrals, the Psalms were pictures of biblical faith for a
people who had no copies of the Scriptures in their homes and
could not have read them.” |
| |
|
1. |
To express the divine word spoken in
rather than to man |
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|
2. |
To reveal the character of God
through the praise, complaint and exhortation of God’s people so
that the reader may be willing to submit himself to the Lord |
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|
3. |
To enable the reader to come into
contact with God through the expression of the common,
subjective daily experiences of others |
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|
4. |
To encourage one’s confidence in
God’s faithfulness by the words of others when one’s own life
experiences do not seem to support that faith |
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|
5. |
To affirm the certainty of God’s
future rule on earth through the line of David wherein the
righteous will be blessed and the wicked will be judged |
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|
6. |
To provide a worship hymnal and a
devotional guide for the Temple-centered Jewish faith |
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|
7. |
To encourage believers to enjoy God
and his benefits |